Enter the Slasher House
7 April 2014
Domino
4 stars out of 5
Animal Collective’s Avey Tare, former Dirty Projectors
member Angel Deradoorian, and former Ponytail drummer Jeremy Hyman have joined
forces to create music as Avey Tare’s Slasher Flicks. In case you’re wondering
which of Animal Collective, Dirty Projectors, or Ponytail—all incredibly
enigmatic ensembles—shows through the most on Enter the Slasher House, it’s Animal Collective, which shouldn’t be
much of a surprise considering it says “Avey Tare” in the freakin’ name of the
band. If you can picture more of a rock sound (owing to the new bass and live
drums rhythm section behind AT) to some classic AC material, then you’ve got
the general idea as to what’s going on here.
The songs are dense, frantic, complex, and uncompromising,
as also should be expected. Tracks like “A Sender” and “The Outlaw” are dynamic
compositions that transform themselves every few bars into entities more and
more remote from their first few moments. The catchy “Little Fang” will
probably find its way onto every hipster’s iPod by the beginning of the summer.
Deradoorian’s voice is finally audible on the great “Strange Colores,” an energetic—if less experimental—hedonistic romp. The dub reggae touches and
kraut rock-ish jam section of “Your Card” close the album nicely, showing for
the first time that this music is indeed a collaboration rather than simply an
Avey Tare solo outing.
Much more satisfying than 2012’s Centipede Hz, the looser and seemingly less deliberate Enter the Slasher House is an
intricately nuanced yet immediately enjoyable record. It rewards during both
close listens on quality headphones and as background noise to loud parties
full of young people wearing beards and ironic trucker caps. It will be
interesting to see how much more Deradoorian and Hyman come to the fore in
future records by this trio.
reviewed by Richard Krueger
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