With Light and with Love
14 April 2014
Woodsist
2.5 stars out of 5
I’ve always exercised caution when Pitchfork raves on and on
about a band from NYC. A lot of the time the praise is disproportionate to the
music (The Pains of Being Pure at Heart, Vivian Girls), though, admittedly,
they get it right once in a while too (okay, fine, basically everyone else).
For me, Woods have always been in the former category. Mind you, I have a trigger
response to any hipster who picks up a banjo, so often I don’t give these bands
the time they might deserve. While Woods aren’t banjo oriented, they do indeed
harken back to a folk tradition, albeit one that involved plenty of LSD and
peaked in San Francisco
in the late 1960s.
With Light and with
Love doesn’t do anything to move them from that former category into the
latter. Its George Harrison licks sit very inoffensively overtop its copy of a
copy of what psychedelic folk is supposed to sound like. There’s so much
following of formula here that one suspects Woods have a computer program that
spits out guitar tabs and vocal melodies based on some sort of lowest common
denominator algorithm for musicians without imagination. Even the nine-minute
title track is so contrived and unoriginal that you wish you could give a good
slap to both the members of the band and the Pitchfork writers who keep
promoting this stuff as somehow relevant to the world of music.
In a way, I appreciate having to listen to records like this
multiple times, because then I get to use more cuss words and say nasty shit.
In addition, it’s provided me with an opportunity to diss Pitchfork, which is
always fun. So, to the members of Woods, I must say thank you, thank you for
granting me this gift. Now please be so kind as to break up and stop making
music.
reviewed by Richard Krueger
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