Someday World
5 May 2014
Warp
3 stars out of 5
Someday World is
the result of a collaboration between Underworld’s Karl Hyde and the ubiquitous
Brian Eno. If you’re envisioning a mash-up between “Born Slippy .NUXX” and “Sky
Saw,” you’re out of luck, though Hyde’s trademark one-note vocal melodies are
present here throughout the record. Instead the record is sometimes engaging
but never challenging. Hyde’s lyrics are evocative and focused and Eno’s music
is adequate enough, but the work as a whole is uneven and its three or four
moments of brilliance are unable to counter the effects of the alternately
awkward and tedious balance of the record.
“Man Wakes Up” sounds like King Crimson’s Discipline crossed with Talking Heads’ Remain in Light. Perhaps this isn’t all
that surprising, considering Eno’s frequent collaboration with the former’s
Robert Fripp and production of the latter. Hyde’s vocals are unmistakeably his
own but also evoke Adrian Belew’s delivery on tracks like “Elephant Talk.” “Man
Wakes Up” and the similarly textured “Strip It Down” and “When I Built This
World” are high points of the album. Not much of the rest of Someday World approaches the same
heights, unfortunately. Works like Another
Green World and My Life in the Bush
of Ghosts were sparks that launched thousands of creative experiments in
the works of others. By contrast, Someday
World feels safe, any experimentation contained within it being carefully
restrained or rendered essentially invisible.
If you’re a dedicated fan of either Eno or Underworld, you
will find moments on Someday World to
make a listen or three worth your while, though be warned: musically this doesn’t
resemble Underworld in the slightest, although Hyde’s career wasn’t always
dedicated to electronica (can I get a “doot-doot”?). Myself, I’m waiting for the .NUXX
remix of “Mother of a Dog.”
reviewed by Richard Krueger
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