Wooden Head
8 July 2014
Slumberland/Fortuna Pop
3 stars out of 5
The Proper Ornaments is a project of James Hoare, guitarist
of the London-based Veronica Falls , and Max Claps, whose epic tale of escape from
pending institutionalization in his native Argentina is a whole novel in and
of itself. The two met while Claps was trying to distract Hoare at the shop he
worked at in London
so that Claps’s girlfriend could steal a pair of boots. In an ideal world, a
story like this is good enough to warrant a five-star review, but life really
isn’t that easy. This one gets a three, for reasons I shall reveal in the
following paragraphs.
“Neo-psychedelia” is a term that seems to get slapped on
anything that appears to be even remotely drug-influenced, and frankly isn’t
very helpful. Face it, that definition could mean anything from minimalist
techno to stoner metal to Spacemen 3, so as a genre label, “neo-psychedelia” is
rather defective. I personally prefer the following rule: does it sound like
nerdy English kids in the ‘80s trying to rewrite Sgt. Pepper? Yes? Then it’s neo-psychedelia. The Proper Ornaments
ain’t that, which isn’t anything wrong in and of itself. Joy Division never
attempted to sound like The Beatles and they were fucking amazing, after all. So
what do The Proper Ornaments sound like? Like an intentionally lo-fi,
simplified take on the late ‘60s psychedelic rock scene. There’s some good
hooks here (“Sun,” “Now I Understand”), and a very carefully constructed sound—the
band manages to sound like The Velvet Underground and Yo La Tengo without any
of the eccentricities that made those legendary bands interesting—but most of
what remains is the artifice and superficial mechinations of a pair of poseurs.
Harsh? Possibly, but still better than if they actually felt this music in their souls rather
than were cynically trying to cash in on some gullible hippy demographic’s
weakness for shitty pot-smoking soundtracks. This is a rare case where cynicism
would be preferable—at least they could just shave and shower in the morning
and pretend to know nothing about the whole thing.
reviewed by Richard Krueger
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