Plastics
2 June 2014
ATP Recordings
4
stars out of 5
London trio Eaux introduced Plastics to the world back in June of this year, and I'm just getting around to listening to it now. Oops. That's two months of my life that I lived in ignorance of this great record, two months that could have been so greatly enriched by listening to wonderful music created by Sian Ahern, Stephen Warrington, and Ben Crook. This is dark, noisy electronica, created through improvisation and jamming, with a minimum of programming, and it's fantastic.
Despite
not being pop music, just beneath the surface of these raging waters
lurk some sweet vocal melodies (“Head”), reminiscent of A Sunny
Day in Glasgow. “Movers and Shakers” resides somewhere between
Jon Hopkins and HTRK, but far noisier than both. “Peace Makes
Plenty” ends like an Einstürzende
Neubauten junkyard breakdown, while “Sleeper” features percussion
which doesn't want to play nice at all, skipping gleefully all over
different tempos. Throughout all of it Eaux maintain an enduring
sense of play and fun, no matter how dark and harsh the music may
become.
Taken
as a whole, Plastics
is a record to be reckoned with, though each track stands well enough
on its own to be considered a whole in itself, although Crook claims
that Eaux's songs are “never finished, just abandoned.” Each
track is a dense forest of complications, and you can't rely on
Google Maps to show you the way out. This is a good thing, as
Plastics
is a place you won't want to leave for quite a while.
reviewed
by Richard Krueger
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