The Gaslight Anthem
Get Hurt
12 August 2014
Island
2.5 stars out of 5
Get Hurt is the
fifth LP by The Gaslight Anthem, that roots-punk quartet who hail from the Bruce Springsteen
State . Much of the album
sounds like a cross between Born to Run
and London Calling, which under
normal circumstances would invoke incredulous raised eyebrows in reaction, but
here only prompts a disinterested yawn or two. Seriously, you hear “Red Violins”
just once and you’ll forget it for the rest of your life.
The Gaslight Anthem recorded Get Hurt in a room that contained recording equipment such as
microphones for singing into, amplifiers for leaning guitars against, knobs for
twiddling, and a microwave for reheating instant noodles. The band’s writing
process included one or more members of the band writing words with a pen or
pencil onto paper which may have been in the form of loose sheets or perhaps
bound into a notebook. It’s possible that the notebook had a nice black cover
that was textured to resemble leather. Some of the microphones were placed
around the drum kit so that when the drummer (the member of the band who hits
the drums with wooden sticks) hit the drums with his wooden sticks, the
microphones would detect these sounds and send them back to a room where there
would be a person twiddling knobs while he or she ate lukewarm instant noodles.
Clearly Get Hurt
is a groundbreaking, envelope-pushing document of rock ‘n’ roll genius. Further
evidence for this is given by the cover, which depicts a heart rotated 180º so
that it’s upside down, making it look like a giant red bum that leads up to an
infinitesimally small waist. The text reads “THE GASLIGHT ANTHEM GET HURT” in all
caps like that. One thing that listening to Get
Hurt has taught me: when I hit ctrl-down arrow on my keyboard the sound
gets quieter, and if I hit it enough times the sound disappears completely,
leading to great happiness.
reviewed by Richard Krueger
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