3 November 2014
Warp
4 stars out of 5
Beginning with a nod to his sometimes ambient past (“Ship Is
Flooding”), Clark then takes us on a tour of his new rhythm-centered music (“Winter
Linn,” “Unfurla”). It’s still somewhat cold and distant stuff, like a
snow-covered landscape seen through the train windows on your way to visit your
cousins in northern Sweden .
“Sodium Trimmers” is an almost industrial chunk of hard techno, and the frantic
“Banjo” seamlessly picks up where “Sodium Trimmers” leaves off. By the time you
hit the decapitated vocals of “Snowbird,” the seventh track, it has become
clear that Clark
is conceived as a whole, not merely a collection of random pieces. Clark shows
his masterly skills here in his flow as well as in his composition; the grand
scheme of Clark
is just as important as its minute details. Closing with the majestic couplet
of the high BPMs of “There’s a Distance in You” and the ambient washes of “Everlane,”
Clark shows with Clark that he can
remain exciting and innovative no matter how obscure or accessible he chooses
to be.
reviewed by Richard Krueger
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