Pink Floyd
The Endless River
7 November 2014
Parlophone/Columbia
2 stars out of 5
There are two main warning bells that should go off for Pink
Floyd fans when approaching The Endless
River, their first studio album in twenty years and their third since the
departure of Roger Waters. First, that this is comprised mainly of leftovers
from their previous studio LP, The
Division Bell. That alone should cause a lot of people to steer well clear.
Second, that this is an almost entirely instrumental record. Along with the
apocalyptic tone long associated with Pink Floyd, a big part of the band’s
appeal through much of their career was their lyrics, so the lack of lyrics on
seventeen of the album’s eighteen tracks isn’t a strong selling point. Described
as the “swan song” of late keyboardist Richard Wright, The Endless River was recorded by the final two surviving Pink
Floyd members, David Gilmour and Nick Mason, along with parts that Wright had
recorded with the band between 1968 and 1993.
If you’ve always dreamed of a Pink Floyd album that doesn’t
satisfy any of your needs as a fan, look no further. Tired of being stimulated
by the band’s experimental spirit and innovative songwriting? Well, rest your
weary head, brave one, for there are no exhausting experimental or innovative
qualities here. Sick to death of clever lyrics and biting social commentary?
Both are refreshingly absent from The
Endless River. Have you been desperately hoping the whole time that the
band would give up any aspirations to making decent rock music and instead
attempt to sell you a dull and mostly pointless new age abomination? You’ve
just hit the jackpot, son!
reviewed by Richard Krueger
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